Fabulous, Glittering Drag Queens

Maia Crews-Erjavec

La Cage Aux Folles

Fabulous, Glittering Drag Queens

If I had to describe La Cage Aux Folles in one word, it would have to be "fabulous." On October 18th, 2011 at the State Theatre I went to see my first musical off of Broadway. It was a glamorous musical about a nightclub called La Cage Aux Folles, focusing on drag entertainment. Georges, the manager, and his partner and star performer, Albin/Zaza, have to cover up their true identities when Georges straight son, Jean-Michel, tells his father that he plans to get married and must meet his possible fiancee's extremely homophobic parents. I was blown away by this glamorous and rudely funny musical.

The two central characters were much deeper than meets the eye, but all of the chorus drag queens were dancing, singing, and talking stereotypes. I would rather have seen more depth in them, as they were reinforcing stereotypes about drag queens being superficial and always gossiping. However, they did a great job being gaudy and glamorous, singing and dancing as if the theatre really were La Cage Aux Folles. These men were amazing actors, and I forgot their gender multiple times. The lyrics throughout the whole play were both funny and emotional. The melodies of the music did not intrigue me at first, but by the end I was almost singing with them. The singing was great, but what really caught me was the last number of Act I, "I Am What I Am." It was the most intense and emotional song in this play. Georges and Albin were amazing. They were convincing characters and had moving voices that were perfect for their roles.

Before the musical, a gorgeous man with a pink dress sat on the front of the stage and started reading off his paper, all the while complaining and and making numerous rude, hilarious, jokes. He asked us about birthdays, anniversaries, coming out ("Honey, they could see you're gay from space."), and Jewish lesbians (Whom he called "Orthodykes.") Although everything he said had the potential to be extremely offensive, everyone just laughed. He set the mood before the musical even began. It opened with dramatic silhouettes of what appeared to be women and went into a gaudy, glittery number, "We Are What We Are." I was amazed by all the men in drag. The musical continued to be glittery, glamorous, and very long. While I enjoyed all of it, I think the play, at 2 hours and 40 minutes, could have been much shorter. The the songs had a lot of repetition and there were comedic things that could have been cut out of the production without affecting the plot. Every outfit worn was extravagant and shiny, besides what was pointedly not. The actors were stunning, and every set worked well with the choreography in it.

My main complaint about this show would be that  there were parts where the play should have been more serious. When homophobic things were said, the play does not turn to a more solemn feeling, but continues to be comedic. It would have been nice for me if it was taken more seriously because in reality homophobia is a serious issue.

The comedy and length of this musical may have been overkill, but I loved this production. It was fabulous, glittery, gaudy, and I completely recommend it to anyone (old enough to deal with the rude humor) who likes glitter, drag queens, or comedies.